The ticket sales, which opened in early February at the Tramway, have proved popular.
National Theatre of Scotland (NTS) Executive Producer Neil Murray said:- ”You always hope you are going to sell out. I think early indications are that it’s going to be very busy. Alan Cumming brings a little bit of stardust and the piece, Macbeth, in Scotland, is always an attractive title. But yeah, we’re very optimistic it’s going to do well.”
Macbeth is the first Shakespeare that NTS have staged in their six year history. The play reunites the burgeoning creative partnership of actor Alan Cumming and director John Tiffany, who previously worked together on the NTS production of The Bacchae which premiered at The Edinburgh International Festival in 2007.
Murray continued:- ”We wanted to have a really good reason for doing Shakespeare.” When Cumming approached the NTS with the idea that he would play all the characters in ‘The Scottish play’ it was the perfect marriage of performer and play for them. Murray added: “It had to be the right idea, it had to be the right person, it had to be the right time and all those things have conspired together, which is great.”
The NTS has chosen to premiere their radical reimagining of Macbeth at the Tramway, rather than in a more conventional theatre. This exciting and experimental South side space has seen many seminal productions staged there, including Peter Brook’s The Mahabharata in 1988. Murray said: “There’s something more exciting on this occasion to do it at that big, rough, kind of hewn space, maybe play with that, play with the dynamics of it.”
Macbeth will open this June and the tone of the production is big and bold. Murray said: “We’re not making a small intimate piece. It’s going to be a big statement in terms of the design of it and the space we’re using. Partly because the Tramway is a big wide performance space; you need to really fill and take ownership of that space.
“And then similarly, when we go to the Lincoln Centre in New York, that’s a very big stage, so although the piece is really Alan with two other performers as well, it’s not going to be populated by lots of actors. So the concept of the show has got to be really big and bold I think: that’s what we’re aiming to do.”
Cumming is now in training for this role. Murray said:- ”He’s excited and terrified in equal measure, I think. He’s getting himself very physically fit to do it. Macbeth is a demanding part if you do it as part of a big company, but when you do all that text yourself and all those roles, who knows what it will do to him. He’s kind of up for it. The great thing about Alan is he’s an amazingly brave and committed performer.”
The NTS Glasgow season of Macbeth starring Alan Cumming runs from 13 – 30 June, 2012 at the Tramway Theatre.
Following last year’s sell-out tour, Carol Smillie once again leads the cast in the hilarious comedy Hormonal Housewives, which embarks upon a limited tour of selected venues in Scotland in November 2011.
Join Carol Smillie and friends in an evening of excessive laughter as they battle against weight gain, weight loss, mood swings, wine, PMS, men, going to the gym, men, waxing, stretch marks, men, chocolate, upper-lip hair, chocolate, men, chocolate…and all of the other joys of being a 21st Century girl!
Julie Coombe and Shona Price also return to join Carol Smillie on stage. Hormonal Housewives is written by husband and wife team Julie Coombe and John MacIsaac.
You can catch this show at The King’s in November:
- GLASGOW: King’s Theatre, Mon 21 – Sat 26 Nov. 0844 871 7648/www.atgtickets.com/glasgow
With the cityscape of the ‘Dear Green Place’ as its backdrop, Voices is four days of contemporary theatre, dance, street and live arts, with more than 70 performances by over 30 companies presented as part of IETM Glasgow.
IETM (International network for contemporary performing arts) has chosen the city as the venue for its international plenary meeting and artistic showcase during 4-7 November 2010. Up to 600 performing arts practitioners from 45 countries will roam Glasgow for an intensive four-day programme of talks, performances, networking tours and events.
The theme of ‘voices’ encompasses everything from communication, argument, noise, identity and many other ways to express ourselves as individuals, groups and nations
One of the most strategically significant cultural events in Scotland’s 2010 calendar, IETM Glasgow integrates Creative Scotland’s ambition to increase the country’s capacity for international working with showcasing the country’s creative talent: on stage; in found spaces, newly inhabited by artists; and across the dinner tables of its host city.
New productions commissioned for the IETM Glasgow artistic programme include Bridging by Laika (Minty Donald and Nick Miller), a unique site-responsive performance situated on the banks and waterway of the River Clyde and Fish and Game’s Alma Mater, which will take the audience on a performative tour of Scotland Street School. Many of Scotland’s leading arts organisations will be presenting work, including: Roadkill, Ankur Art’s site specific production on the complex realities behind sex trafficing; Midsummer, David Grieg and Gordon McIntyre’s weekend to remember; and Janice Parker’s Private Dancer.
Keynote speaker at the conference is Todd Lester, the founder of freeDimensional (fD) and more recently the Creative Resistance Fund. Before launching freeDimensional he served as Information & Advocacy Manager for the International Rescue Committee in Sudan.
Andrew Dixon, Chief Executive, Creative Scotland: ‘IETM Glasgow is an outstanding showcase for the best of Scotland’s performing arts talent, the city of Glasgow as a creative place and as a catalyst to promoting the country’s contemporary culture internationally.’
Mary Ann DeVlieg, Secretary General of IETM, says of IETM Glasgow 2010: ‘Let’s meet Glasgow as it is today with its nuanced historical, demographic and contemporary cultural mixes. Let’s let Glaswegians see how a few hundred incoming arts professionals see their richly layered city and let the meeting’s participants hear how Glaswegians ‘live’ their city.
‘Glasgow also marks a turning point for the IETM network: an energetic three-year commitment to proving the value of arts to our societies by making visible the hundreds of amazing projects throughout Europe which allow people to think, see, feel, touch, taste, be critical and be confident… in other words to be alive and be human in this century. Starting with Glasgow!”
According to IETM Glasgow’s Producer, Steve Slater: ‘It is an opportunity to change the way people think about Scotland. It’s also about how we think of ourselves, our own creativity, imagination and culture.
‘This project has re-kindled in me an excitement for the potential of Scottish work to hold its own on the international stage. It’s made me see the work and the city a-new again, fresh and sparkling in its commitment to new ideas and creativity.’
For more information see: http://www.ietm-glasgow.eu